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(Excerpt from amazon.com)
During the nineteenth century the family reading of Charles Dickens’ A Christmas Carol was one of the rituals of Christmas. In the latter part of the twentieth century, the ritual television showing of Frank Capra’s film It’s a Wonderful Life took its place. This is symptomatic of the process by which cinema became an integral part of the celebration of Christmas in the twentieth century …
We can read about the role of the Christmas film in wartime both in Britain and America, the cinematic career of Santa Claus and the rise and rise in popular esteem of It’s a Wonderful Life. But all is not just joy to the world and peace and goodwill to all men in the cinematic Christmas. There is a darker side, gleefully analyzed by Kim Newman, in which the schmaltz and saccharine conventions of White Christmas are undercut by the depredations of a parade of psycho santas and Christmas slashers …
(Excerpt from “General Editor’s Introduction” of the book by Jeffrey Richards)
We can read about the role of the Christmas film in wartime both in Britain and America, the cinematic career of Santa Claus and the rise and rise in popular esteem of It’s a Wonderful Life. But all is not just joy to the world and peace and goodwill to all men in the cinematic Christmas. There is a darker side, gleefully analyzed by Kim Newman, in which the schmaltz and saccharine conventions of White Christmas are undercut by the depredations of a parade of psycho santas and Christmas slashers …
(Excerpt from “General Editor’s Introduction” of the book by Jeffrey Richards)
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