Monday, June 6, 2016

Claude Monet

Nina Kalitina and Nathalia Brodskaia
online access from ProQuest Ebook Central
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For Monet, the act of creation was always a painful struggle. His obsession to express emotions and to transmit light effects over nature was much more intense than his contemporaries. In his words: Skills come and go... Art is always the same: a transposition of Nature that requests as much will as sensitivity. I strive and struggle against the sun... should as well paint with gold and precious stones.

(Excerpt from amazon.com)


The exhibition Claude Monet: The Spirit of Place, now being held at the Hong Kong Heritage Museum from 4 May till 11 July 2016, features some of Monet’s most emblematic artworks including the famous water lilies of “Nymphéas.”

莫內的魅力

洪麟風 著
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莫內把印象派的理想,所謂「光的神祕」,將全部身心投入奉獻進去。他也是創造「組畫」的畫家,從來沒有一位畫家,將一種主題以不同時辰、不同季節、不同氣氛來表現。因為他的畫都在戶外寫生,而且尋覓到那麼多「畫點」,所以現在有所謂「莫內繪畫之旅」的導覽。

本書目錄:「光之印象.色彩的光輝」、「生活在水邊的喜悅」、「可讀時辰的畫」、「水氣.霧靄的魅力」、「在理想的風景中」、「莫內-印象派繪畫之母」、「確立印象派技法」、「維特尼的冬天」、「吉維尼終生之家」、「在南國的強光下求光色」、「連作組畫」。

(摘錄自博客來網路書店)


香港文化博物館推出「他鄉情韻--克勞德‧莫奈作品展」,展出法國印象派大師莫奈17幅畫作,展期為5月4日至7月11日。

Monday, May 30, 2016

Humans, Beasts, and Ghosts: Stories and Essays

By Qian Zhongshu (錢鍾書); Edited with an introduction by Christopher G. Rea
online access from ProQuest Ebook Central
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Qian Zhongshu  (錢鍾書) was one of twentieth-century China's most ingenious literary stylists, one whose insights into the ironies and travesties of modern China remain stunningly fresh. Between the early years of the Second Sino-Japanese War (1937-1945) and the Communist takeover in 1949, Qian wrote a brilliant series of short stories, essays, and a comedic novel that continue to inspire generations of Chinese readers.

With this long-awaited translation, English-language readers can immerse themselves in the invention and satirical wit of one of the world's great literary cosmopolitans. This collection brings together Qian's best short works, combining his iconoclastic essays on the "book of life" from Written in the Margins of Life (寫在人生邊上) (1941) with the four masterful short stories of Human, Beast, Ghost (人獸鬼) (1946). His essays elucidate substantive issues through deceptively simple subjects-the significance of windows versus doors, for example, or the blind spots of literary critics—and assert the primacy of critical and creative independence. His stories blur the boundaries between humans, beasts, and ghosts as they struggle through life, death, and resurrection. Christopher G. Rea situates these works within China's wartime politics and Qian's literary vision, highlighting significant changes that Qian Zhongshu made to different editions of his writings and providing unprecedented insight into the author's creative process.


(Excerpt from amazon.com)

楊絳傳

羅銀勝 著
online access from SuperStar Digital Library
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《楊絳傳》以溫暖的筆觸敘寫了楊絳的百年人生,包括童年成長、家庭變遷、求學歷程,以及同錢鐘書半個多世紀相濡以沫的愛情,盡現其博學、睿智、寬容、韌性的純德名媛風範。

楊絳是一個從容優雅的精神貴族,她對抗戰火、疾病、政治風暴、生離死別的態度,堪稱生命的正能量;她經盡人生起起落落,依然平靜、充實、恬淡、知足又不卑不亢地生活著,她的傳記值得所有人靜下心來一讀。

(摘錄自douban.com)


楊絳,1911-2016年,本名楊季康,祖籍江蘇無錫,生於北京。著名的作家,戲劇家、翻譯家,錢鐘書的夫人。楊絳通曉英語、法語、西班牙語,由她翻譯的《唐·吉訶德》被公認為最優秀的翻譯佳作,到2014年已累計發行70多萬冊;她早年創作的劇本《稱心如意》,被搬上舞台長達六十多年,2014年還在公演;楊絳93歲出版散文隨筆《我們仨》,風靡海內外,再版達一百多萬冊,96歲成出版哲理散文集《走到人生邊上》,102歲出版250萬字的《楊絳文集》八卷。

Monday, May 23, 2016

The Glass Slipper: Women and Love Stories

Susan Ostrov Weisser
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Why is the story of romance in books, magazines, and films still aimed at women rather than at men? Even after decades of feminism, traditional ideas and messages about romantic love still hold sway and, in our “postfeminist” age, are more popular than ever. Increasingly, we have become a culture of romance: stories of all kinds shape the terms of love. Women, in particular, love a love story.

The Glass Slipper is about the persistence of a familiar Anglo-American love story into the digital age. Comparing influential classics to their current counterparts, Susan Ostrov Weisser relates in highly amusing prose how these stories are shaped and defined by and for women, the main consumers of romantic texts. Following a trajectory that begins with Jane Austen and concludes with Internet dating sites, Weisser shows the many ways in which nineteenth-century views of women’s nature and the Victorian idea of romance have survived the feminist critique of the 1970s and continue in new and more ambiguous forms in today’s media, with profound implications for women...

Review
"In this timely, valuable, relevant study, Weisser examines the ways in which traditional ideas of romantic love endure, despite decades of feminist scholarship and critique challenging sexism and misogyny and calling for change. Her prose is accessible, lively, and informed, and her discoveries outlining where feminism and romance dovetail and diverge have far-reaching implications to be valuable to anyone interested in gender studies, narrative theory, and cultural studies. Highly recommended." -- Choice  

文化演繹中的圖像 : 中國近現代文學, 美術個案解讀

姚玳玫 著
online access from Apabi
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本書主要以“圖像”為線索,運用敘事研究、文化研究的方法,對發生於20世紀中國的關涉文學、美術諸領域的一組個案加以解讀和剖析,主要涉及幾方面問題:晚清至民國時期海派刊物“女性”主題圖像的含義生成和圖式衍變問題;早期媒體傳播中女性肖像照的公共性與私人性僭越問題;“五四”背景下西方美術圖像的引進、譯介、闡釋,與本土表達的銜接,這一過程所隱含的“五四”知識分子自我身份定位問題;20世紀中國女藝術家“自畫像”與女性自我認知問題,20世紀中國美術的人文圖式構建問題,20世紀二三十年代身處生存夾縫中的中國現代主義藝術家藝術追求的多熏性、分裂性問題,等等。本書經由相關個案解讀,考察“圖像”背后文化運作的跡象、內在意圖及其在多方力量的制衡下形成的格局。